Ambrose Bierce’s Indian inscriptions: Pictographic records of Indian-White conflict along the Bozeman Trail

Q2 Social Sciences
J. Keyser, Linea Sundstrom
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引用次数: 1

Abstract

Western History is often understood primarily from the perspective of the United States westward expansion as reflected in the concept of manifest destiny. Rarely do we have the opportunity to view this period through the eyes of native artists who were fighting to maintain ownership of their ancestral lands. These two historical currents came together in 1866 with the Hazen Expedition, when the expedition’s cartographer, Ambrose Bierce, recorded two “Indian inscriptions” that were first-hand accounts of indigenous groups’ efforts to combat westward expansion of different non-native peoples. Although the native groups ultimately failed in this effort, these narrative vignettes provide first-hand testimony to their effort to maintain control of the Powder River Basin and surrounding regions in the face of a variety of intrusive elements. As a part of the Biographic art tradition, both sites appear to have been left as “calling cards,” a recently recognized site type whose purpose was to taunt defeated enemies with an unmistakable message detailing the artist’s bravery and audacity in invading their territory.
安布罗斯·比尔斯的印第安铭文:波兹曼小道上印第安人与白人冲突的象形文字记录
西方历史通常主要从美国向西扩张的角度来理解,这反映在明显的命运观中。我们很少有机会通过本土艺术家的视角来看待这一时期,他们正在为维护祖先土地的所有权而斗争。这两股历史潮流在1866年与哈森探险队(Hazen Expedition)结合在一起,当时探险队的制图师安布罗斯·比尔斯(Ambrose Bierce)记录了两个“印第安人铭文”,这两个铭文是土著群体为对抗不同非土著民族向西扩张所做努力的第一手记录。尽管土著群体最终在这一努力中失败了,但这些叙事小插曲为他们在面对各种入侵因素时保持对粉河流域及其周边地区的控制提供了第一手证据。作为传记艺术传统的一部分,这两个网站似乎都被留下来作为“名片”,这是一种最近被认可的网站类型,其目的是用明确无误的信息嘲讽战败的敌人,详细描述艺术家入侵他们领土的勇敢和大胆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Plains Anthropologist
Plains Anthropologist Social Sciences-Anthropology
CiteScore
1.20
自引率
0.00%
发文量
23
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