Holocaust Memory and National Museums in Britain

Q1 Arts and Humanities
David C. Tollerton
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引用次数: 0

Abstract

which places Canadians at the heart of the history of the aftermath of Bergen-Belsen. The testimonies in Kingdom of Night reveal the truth in Dan Stone’s comment that there ‘is still much to learn from Belsen.’ There are questions which cannot be fully answered within the specific scope of this book but for which historians will find its testimonies valuable. What exactly is meant by ‘liberation’? What role does chronology play in the narratives constructed of liberation? How did non-Jewish liberators understand the experiences of Jewish survivors? How far can terms such as ‘liberator’ and ‘witness’ encompass the diversity of roles at Belsen and responses to it? Scattered primary material—often difficult to source—is critical in this task of interpretation, and there are few better places for historians to continue their work of answering such questions than this essential book.
大屠杀记忆和英国国家博物馆
这将加拿大人置于卑尔根-贝尔森事件后历史的中心。《夜之王国》中的证词揭示了丹·斯通评论中的真相,即“贝尔森还有很多东西需要学习”在本书的具体范围内,有些问题无法完全回答,但历史学家会发现其证词很有价值。“解放”到底是什么意思?年表在解放叙事中扮演什么角色?非犹太解放者是如何理解犹太幸存者的经历的?“解放者”和“见证者”等术语能在多大程度上涵盖贝尔森的角色多样性及其反应?零散的原始材料——通常很难找到——在这项解释任务中至关重要,对于历史学家来说,没有什么地方比这本重要的书更好地继续他们回答这些问题的工作了。
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来源期刊
Holocaust Studies
Holocaust Studies Arts and Humanities-History
CiteScore
1.20
自引率
0.00%
发文量
31
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