Estudio de la práctica fotográfica en Cusco en el período de 1897 a 1920

IF 0.2 0 ART
Andrés Garay
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引用次数: 1

Abstract

A study of Cusco photography between 1897 and 1920 is proposed, a period of which there is partial knowledge of the photographic activity in this Andean city. Even though the archives of the photographers of this period are lost or have not appeared to date, and even given the limited bibliography, an attempt will be made to specify about their commercial and creative dynamics and the relationship they may have had between them and with the sociocultural context in limited years. A qualitative methodology has been used with an interpretive approach to period documents and narrative design to be able to string together the information collected, with the aim of knowing how the development of photography was in Cusco until 1920, the year of the arrival of the photographer Martin Chambi to this city. The study detects the activity of many photographers, the professional scope of their work in the public sphere, the offer of postcards and views for tourism, the relationship between scientific projects and photography, and other aspects.
1897-1920年库斯科摄影实践研究
建议对1897年至1920年间的库斯科摄影进行研究,在此期间,人们对这座安第斯城市的摄影活动有部分了解。尽管这一时期摄影师的档案已经丢失或尚未出现,即使参考书目有限,也将试图详细说明他们的商业和创作动态,以及他们之间以及在有限的年份内与社会文化背景的关系。定性方法与对时期文件和叙事设计的解释方法相结合,能够将收集到的信息串在一起,目的是了解库斯科的摄影发展情况,直到1920年,也就是摄影师马丁·钱比来到这座城市的那一年。这项研究考察了许多摄影师的活动、他们在公共领域的专业工作范围、为旅游业提供明信片和风景、科学项目与摄影之间的关系以及其他方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
35
审稿时长
12 weeks
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