Crafting relations and feminist practices of access

Q2 Arts and Humanities
Anna E. Mudde
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引用次数: 0

Abstract

ABSTRACT In this paper, I explore the terrain of craft knowing as an area of expansion for feminist relational theory toward materials, instruments, and design work. I argue that an un(der)-developed attention to craft marginalizes forms of deep knowledge and relational practice. A lens critically oriented to craft affirms the importance of paying attention to how bodies and materials become-together, especially in sites that are usually overlooked, undervalued, and marginalized. If crafting is inherently relational, then craft training is training to negotiate those relations, and attending to craft is a way of understanding such relations and appreciating the knowledges they express. By attending to craft, one moves into a space of being with others where what we might have been trained to perceive as ‘problems’ are just lived realities, and our bodily, practiced responses to them show up as indications of our tendencies and desires. That attention can, I suggest, be leveraged toward greater solidarity practices, including those of accessibility.
建立关系和女权主义实践
摘要在本文中,我探索了工艺认知的领域,这是女权主义关系理论向材料、工具和设计工作扩展的一个领域。我认为,对工艺的未发展的关注将深度知识和关系实践的形式边缘化。以工艺为导向的镜头肯定了关注身体和材料如何结合在一起的重要性,尤其是在通常被忽视、低估和边缘化的场所。如果手工艺本质上是关系性的,那么手工艺培训就是谈判这些关系的培训,而参与手工艺是理解这种关系并欣赏它们所表达的知识的一种方式。通过关注工艺,一个人进入了一个与他人相处的空间,在那里,我们可能被训练来感知“问题”的只是生活的现实,而我们对这些问题的身体、实践的反应表现为我们的倾向和欲望的指示。我建议,这种关注可以用于更大的团结实践,包括无障碍实践。
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来源期刊
Journal of Global Ethics
Journal of Global Ethics Arts and Humanities-Philosophy
CiteScore
0.90
自引率
0.00%
发文量
20
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