Communication for Real-Time Music Systems: An Overview of O2

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Computer Music Journal Pub Date : 2023-04-18 DOI:10.1162/comj_a_00620

Roger B. Dannenberg

引用次数: 1

Abstract

Abstract Message passing between processes and across networks offers a powerful method to integrate and coordinate various music programs, facilitating software reuse, modularity, and parallel processing. Networking can integrate components that use different languages and hardware. In this article we describe O2, a flexible protocol for communication ranging from the thread level up to the level of global networks. Messages in O2 are similar to those of Open Sound Control, but O2 offers many additional features, including discovery, clock synchronization, a reliable message delivery option, and routing based on services rather than specific network addresses. A bridge mechanism extends the reach of O2 to web browsers, shared memory threads, and small microcontrollers. The design, implementation, and applications of O2 are described.

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实时音乐系统的通信:O2概述

摘要消息在进程之间和跨网络传递提供了一种强大的方法来集成和协调各种音乐程序，促进软件重用、模块化和并行处理。网络可以集成使用不同语言和硬件的组件。在本文中，我们描述了O2，这是一种用于从线程级别到全球网络级别的灵活通信协议。O2中的消息与Open Sound Control中的消息类似，但O2提供了许多附加功能，包括发现、时钟同步、可靠的消息传递选项，以及基于服务而非特定网络地址的路由。桥接机制将O2的覆盖范围扩展到web浏览器、共享内存线程和小型微控制器。介绍了O2的设计、实现和应用。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Computer Music Journal 工程技术-计算机：跨学科应用

CiteScore

1.80

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.