Evolving into Chameleons: Survival Strategies for Tampere Theatre Festival during the COVID-19 Pandemic

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2022-10-02 DOI:10.1080/10486801.2022.2118724

Hilkka-Liisa Iivanainen

引用次数: 0

Abstract

Abstract From the point of view of the author Hilkka-Liisa Iivanainen, the co-artistic director of Finland’s Tampere Theatre Festival, the purpose of a performing arts festival is fundamentally challenged by the unforeseen and ongoing COVID-19 pandemic. In Tampere, the festival’s core mission of coming together to celebrate theatre as an art form has almost become secondary to the constantly changing protective measures and regulations. Moreover, the pressure to make a strategic shift into digital or hybrid execution has profoundly changed the practice and goals of curating. After a cancelled festival edition in August 2020 and a downsized festival in August 2021, Iivanainen is rethinking the kinds of paradoxes hidden in the attempt to stay timely as a theatre festival.

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演变成变色龙:坦佩雷戏剧节在COVID-19大流行期间的生存策略

摘要从芬兰坦佩雷戏剧节联合艺术总监Hilkka-Liisa Iivaninen的角度来看，新冠肺炎疫情从根本上挑战了表演艺术节的目的。在坦佩雷，艺术节的核心使命是团结起来庆祝戏剧作为一种艺术形式，这几乎已经成为不断变化的保护措施和法规的次要任务。此外，向数字化或混合执行进行战略转变的压力已经深刻地改变了策展的实践和目标。在2020年8月取消了电影节，2021年8月缩小了电影节规模之后，Iivaninen正在重新思考隐藏在试图作为一个戏剧节保持及时性中的各种悖论。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

CiteScore

0.50

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0.00%

发文量

期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.