Analysis of Mural Paintings in Istria

G.A. Mazzocchin, D. Rudello, N. Maraković, I. Marić
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引用次数: 4

Abstract

Fragments of wall paintings from Istria, coming from the Basilica of Guran near Vodnjan, from the cemeterial Church of Saint Simeon in Guran and from the Benedictine monastery of Santa Maria Alta near Bale were studied.

The analytical instrumental techniques used were Optical Microscopy, Scanning Electron Microscopy equipped with an EDS microanalysis detector, X Ray diffraction, FTIR infrared Spectroscopy and Raman Spectroscopy.

Red and yellow pigments used in Guran and Bale have bean derived from red and yellow istrian bauxites, as already demonstrated for works from 11th to 15th century.

The blue pigment found in the paintings of the Bale Chapel is a lapislazzuli blue; this fact confirms the literature data referring to the period from 11th to the 16th century.

The materials and pigments used at Bale and Guran fit with the Istrian tradition and history of painting going back to the first Carolingian period.

伊斯特拉壁画分析
研究人员研究了来自伊斯特拉的壁画碎片,这些壁画来自沃德扬附近的古兰大教堂、古兰的圣西蒙公墓教堂和贝尔附近的圣玛丽亚阿尔塔本笃会修道院。使用的分析仪器技术有光学显微镜、配备能谱分析仪的扫描电子显微镜、X射线衍射、红外光谱和拉曼光谱。Guran和Bale使用的红色和黄色颜料来源于红色和黄色的伊斯特拉铝土矿,从11世纪到15世纪的作品中已经证明了这一点。在贝尔教堂的绘画中发现的蓝色颜料是青金石蓝;这一事实证实了11世纪至16世纪的文献资料。在Bale和Guran使用的材料和颜料符合伊斯特拉传统和绘画历史,可以追溯到第一加洛林王朝时期。
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