A museum of international standard in Patna, India: The predicament of loss and revival

IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Akash Bharadwaj
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引用次数: 0

Abstract

This essay locates the creation of the Bihar Museum within the context of emerging international and transnational aspirations, especially in the post-liberalization era, and the regional space of Bihar and its political economy. It argues that this positioning, where the museum is supposed to cater to both the regional and the transnational, or the local and the global, presents opportunities as well as challenges. In other words, the state's branding of its identity through the museum creates what James Clifford called the predicament of culture: a chronotopic imagination that speaks of both loss and revival. The essay posits that the new Bihar Museum creates an anticipation of a grand Bihari identity that seems imminent but is never fully realized.

印度巴特那国际标准博物馆:失落与复兴的困境
本文将比哈尔邦博物馆的创建置于新兴的国际和跨国愿望的背景下,特别是在后自由化时代,以及比哈尔邦的区域空间及其政治经济。它认为,这种定位,即博物馆应该迎合区域和跨国,或本地和全球,既带来了机遇,也带来了挑战。换句话说,这个国家通过博物馆来塑造自己的身份,创造了詹姆斯·克利福德(James Clifford)所说的文化困境:一种讲述失落和复兴的时间顺序想象。这篇文章认为,新的比哈尔邦博物馆创造了一种对大比哈尔邦身份的期待,这种期待似乎迫在眉睫,但从未完全实现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Curator: The Museum Journal
Curator: The Museum Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.70
自引率
10.00%
发文量
63
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