Choreographing Deportation in David Herrera's TOUCH

IF 0.4 2区 艺术学 0 DANCE
Juan Manuel Aldape Muñoz
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引用次数: 0

Abstract

Deportations and the threat of removal are choreographic strategies of the nation-state's ever-growing monopoly of movement through border securitization and immigration enforcement, which persists into the twenty-first century. While literature and the visual arts have received critical and popular attention by considering forced family separations, dance remains overlooked. Analyzing dance performances that relate directly to deportation teaches us not only about the painful impact of forced removal: it instructs us to decode, move and maintain relationships as aliens and citizens amid the increasing control of motion in the United States and the cruel joke offered by a nation of immigrants.

在大卫·埃雷拉的《触碰》中编排驱逐出境
驱逐出境和驱逐出境的威胁是民族国家通过边境安全和移民执法对移民流动日益增长的垄断所采取的精心策划的策略,这种策略一直持续到21世纪。虽然文学和视觉艺术通过考虑强迫家庭分离而受到批评和普遍关注,但舞蹈仍然被忽视。分析与驱逐出境直接相关的舞蹈表演,不仅教会了我们强迫迁移的痛苦影响:它还指导我们在美国日益加强的行动控制和移民国家提供的残酷笑话中,作为外国人和公民来解码、移动和维持关系。
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来源期刊
CiteScore
1.20
自引率
0.00%
发文量
15
期刊介绍: Dance Research Journal is the longest running, peer reviewed journal in its field, and has become one of the foremost international outlets for dance research scholarship. The journal carries scholarly articles, book reviews, and a list of books and journals received.
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