{"title":"The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema","authors":"Conall Cash","doi":"10.3366/film.2025.0297","DOIUrl":null,"url":null,"abstract":"Film-Philosophy, Volume 29, Issue 1, Page 169-198, February, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"70 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2025-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film-Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/film.2025.0297","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}