The urban geography of pop in sixties Britain.

Simon Gunn
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Abstract

The explosion of pop culture in Britain between the late 1950s and the late sixties is usually taken to have been an urban phenomenon. Pop was the 'sound of the city' in Britain as much as America. But what kind of 'urban' was involved-big city, small town, centre, suburb? What kind of geographical reach did pop have across the different parts of the United Kingdom in the 1960s? What was the significance of London in a cultural movement that was simultaneously national and international? Understanding where pop was made and performed in its formative years helps explain why it took off so spectacularly in sixties Britain; it illuminates why post-war Britain was so receptive to and generative of pop music as well as the music's nationwide appeal. In this respect, the article contributes not just to the history of pop music and youth but to the larger cultural history of post-war Britain.

六十年代英国流行音乐的城市地理。
20世纪50年代末至60年代末英国流行文化的大爆发通常被认为是一种城市现象。流行音乐在英国和美国都是“城市之声”。但是这里涉及到的是什么样的“城市”——大城市、小城镇、中心还是郊区?在20世纪60年代,流行音乐在英国不同地区的地理范围是怎样的?在一场既是国内的又是国际的文化运动中,伦敦的意义是什么?了解流行音乐在其形成时期的创作和表演地点有助于解释为什么它在60年代的英国如此引人注目;它阐明了为什么战后的英国对流行音乐如此接受和产生,以及流行音乐在全国范围内的吸引力。在这方面,这篇文章不仅对流行音乐和青年的历史有贡献,而且对战后英国更大的文化史也有贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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