Kunqu in Europe

Abstract

This overview presents kunqu’s historical journey, suggesting its future trends on European stages. Over the decades, kunqu has grown from traditional performances to avant-garde adaptations, including notable versions of The Peony Pavilion by Peter Sellars and also Chen Shizheng, which fostered intercultural dialogue. Key performances by troupes and artists have modernized kunqu, as exemplified by Bai Xianyong’s youth edition of The Peony Pavilion, and its appeal to younger audiences. Pre- and post-performance lectures have enhanced European understanding of kunqu, contributing to its recognition internationally. The dynamic interplay between tradition and innovation, and local and global perception, reveals kunqu’s enduring relevance and its active role in cultural exchange.