Danmu as Parasocial Audience Engagement: A Textual Analysis Based on Television Interviews With Women Athletes

IF 3.2 1区 文学 Q1 COMMUNICATION
Zizhong Zhang
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引用次数: 0

Abstract

This study examines danmu (bullet screens) as a form of parasocial audience engagement, focusing on two television interviews with women athletes. A textual analysis of 3513 comments identified five types of parasocial interactions: addressing the athletes, the host, other viewers, social issues, and the nation. Danmu fosters multidimensional engagement, enabling audiences to shift roles and adopt diverse communication strategies. Moreover, the scope of these interactions extends beyond the video context to address broader societal and national issues. This study also highlights the concept of parakin interactions as reflected in danmu. It underscores danmu’s potential as a participatory journalism tool that complements mainstream media by fostering emotional resonance and challenging benevolent sexism in coverage. Feminism emerges as a central framework within the danmu discourse surrounding women athletes. As a form of parasocial audience engagement, danmu holds promise for empowering a wider range of marginalized groups.
丹木作为准社会观众参与:基于女运动员电视采访的文本分析
本研究将弹幕作为一种准社会观众参与的形式,重点研究了对女运动员的两个电视采访。对3513条评论的文本分析确定了五种类型的准社会互动:针对运动员、主持人、其他观众、社会问题和国家。Danmu促进了多维参与,使观众能够转换角色并采用不同的沟通策略。此外,这些互动的范围超出了视频背景,以解决更广泛的社会和国家问题。本研究也强调了类似互动的概念,反映在丹木。它强调了danmu作为一种参与性新闻工具的潜力,通过培养情感共鸣和挑战报道中的善意性别歧视来补充主流媒体。女权主义成为围绕女运动员的“丹木”话语的中心框架。作为一种准社会的观众参与形式,丹舞有望赋予更广泛的边缘化群体权力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
7.00
自引率
11.10%
发文量
44
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