Calling out Feminists: Antifeminist Hijacking of Cancel Culture in South Korea

IF 2.4 2区 文学 Q1 COMMUNICATION
Jinsook Kim
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引用次数: 0

Abstract

This paper examines the antifeminist appropriation of cancel culture in South Korea, focusing on the controversy surrounding the finger-pinching motif, allegedly associated with Megalia, a now-defunct feminist online community. While cancel culture originated from marginalized groups challenging systemic injustices, it is now appropriated by dominant groups to reinforce social structures—in this case, to protect male privilege and undermine feminism. The study reveals how antifeminist canceling in the country has extended over the years beyond subcultural industries to companies, government agencies, and public institutions. Although both feminists and antifeminists engage in cancel practices, antifeminist canceling has led to the removal of numerous advertisements and the sanctioning of women and precarious workers, reflecting the fundamental gender power imbalance in South Korea. By examining social, public, and institutional responses, I argue that such institutional enforcement upholds and reproduces the antifeminist hijacking of cancel culture, further silencing marginalized communities.
呼唤女权主义者:韩国反女权主义劫持取消文化
本文探讨了韩国对取消文化的反女权主义挪用,重点关注围绕 "掐手指 "图案的争议,据称该图案与现已解散的女权主义网络社区 Megalia 有关。虽然取消文化起源于挑战系统性不公正的边缘群体,但现在却被主流群体利用来强化社会结构--在本案例中,是为了保护男性特权和破坏女权主义。本研究揭示了多年来国内的反女权主义取消行为是如何从亚文化行业扩展到公司、政府机构和公共机构的。虽然女权主义者和反女权主义者都有取消广告的行为,但反女权主义者取消广告的行为已导致大量广告被撤下,妇女和不稳定的工人受到制裁,这反映了韩国性别权力不平衡的根本原因。通过研究社会、公众和机构的反应,我认为这种机构执行维护并复制了反女权主义对取消文化的劫持,进一步压制了边缘化群体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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