‘Entrances’, ‘Exits’ or ‘Nodes’, ‘Edges’, ‘Clusters’?: Simon Stone, & the Director as a ‘Network Subject’

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2024-07-22 DOI:10.1080/10486801.2024.2315930

Margaret Hamilton

引用次数: 0

Abstract

Australian theatre director Simon Stone has emerged as a major presence on the European stage since the International Ibsen Festival presented his The Wild Duck ‘after Ibsen’, co-written with Chris...

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入口"、"出口 "还是 "节点"、"边缘"、"集群"？西蒙-斯通与作为 "网络主体 "的导演

澳大利亚戏剧导演西蒙-斯通（Simon Stone）自国际易卜生戏剧节（International Ibsen Festival）推出他与克里斯-易卜生（Chris Ibsen）共同创作的 "易卜生之后的野鸭子"（The Wild Duck after Ibsen）以来，已在欧洲舞台上崭露头角。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

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0.50

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期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.