Beauty but not obscenity - Aromatic depictions in the poetry of the Sheng Tang Dynasty

Anran Dong
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Abstract

The depiction of eroticism in poetry has a long history, and that of the Shengtang poetry is particularly unique, as it is both extremely beautiful and unconventional, and is not obscene even when scrutinised by men. This article first reviews the origins of the depiction of eroticism and its evolution through the ages, and explores its deeper meaning and artistic potential. By comparing the depictions of fragrance in the poetry of the Sheng Tang and the previous dynasties, it analyses the desire for life and the characteristics of health and youth in the poetry of the Sheng Tang, and explores the unique context of the times that gave rise to this artistic feature. By studying the aesthetic attitudes of the poets of the Sheng Tang period towards the beauty of fragrance and lust, we try to explore and develop a contemporary positive and healthy aesthetic.
美而不淫--盛唐诗歌中的香艳描写
诗歌中的艳情描写由来已久,而盛唐诗歌中的艳情描写尤为独特,它既极尽美艳,又不落俗套,即使被男人审视也不显淫秽。本文首先回顾了艳情描写的起源和历代演变,并探讨了其深层含义和艺术潜力。通过比较盛唐诗歌与历代诗歌中对香艳的描写,分析盛唐诗歌中对生命的渴望以及健康、青春的特征,探讨产生这一艺术特征的独特时代背景。通过研究盛唐诗人对香艳之美的审美态度,尝试探索和发展当代积极健康的审美观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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