Artistic Practices in Lockdown: Resistance and Collectivism during the Covid-19 Pandemic in Portugal

Raquel Ermida, Cristina Pratas-Cruzeiro
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Abstract

In 2020, the COVID-19 pandemic exacerbated the precariousness and working conditions of artists and cultural workers globally, including Portugal. Through the research project Práticas Artísticas Confinadas: Resistência e Coletivismo na Pandemia Covid-19 em Portugal (Artistic Practices in Lockdown: Resistance and Collectivism during the Covid-19 Pandemic in Portugal), undertaken between December 2021 and June 2022, it was possible to conclude that amid this crisis, Portuguese cultural workers mobilised collectively to advocate for labour rights, expose irregularities within cultural institutions and secure access to cultural and artistic production. Drawing on these findings, this article focuses on how the restrictions on the use of physical public spaces, which are privileged arenas for protest and participatory democracy as defined by the Portuguese Constitution, compelled these workers to devise alternative approaches to sustain their activism. Thus, the paper examines the strategies employed by cultural workers to circumvent the restrictions by adapting and subverting these spatial limitations. The article concludes with an analysis of how the use of art practices and the performativity of these strategies were crucial in ensuring the continuation of social mobilisation and democratic exercise.
封锁中的艺术实践:葡萄牙 Covid-19 大流行期间的抵抗与集体主义
2020 年,COVID-19 大流行加剧了包括葡萄牙在内的全球艺术家和文化工作者的不稳定性和工作条件。通过研究项目 Práticas Artísticas Confinadas:Resistência e Coletivismo na Pandemia Covid-19 em Portugal》(《封锁中的艺术实践:2021年12月至2022年6月期间进行的研究得出的结论是,在这场危机中,葡萄牙文化工作者集体动员起来,倡导劳工权利,揭露文化机构内部的违规行为,并确保文化和艺术生产的可及性。根据这些研究结果,本文重点探讨了葡萄牙宪法所规定的抗议和参与式民主的重要场所--实体公共空间的使用限制如何迫使这些文化工作者设计出其他方法来维持他们的活动。因此,本文探讨了文化工作者通过调整和颠覆这些空间限制来规避限制的策略。文章最后分析了艺术实践的使用和这些策略的表演性如何对确保社会动员和民主实践的持续进行至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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