Approaching a National Film History through Data. Network Analysis in German Film History

Q1 Arts and Humanities
Malte Hagener, Theresa Blaschke
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引用次数: 0

Abstract

The present paper is an attempt at importing network analysis as a method and applying it to a field that has hitherto been examined in different ways: the study of national cinema. The approach was motivated by the perceived conundrum in the existing studies of German cinema that filmhistorical and political history usually do not match. The aim is to open up another perspective on the problem of periodization by looking at the data of film production, more specifically of collaboration. By using a comprehensive data set which is made availavable by the Filmportal, the central internet platform on German film, the approach in this paper is to look at the key creatives involved in the production of a film in the period from 1919 to 1939 and to conceptualize collaboration and connectivity in a (national) film culture through the use of network research methods.
通过数据了解国家电影史。德国电影史中的网络分析
本文尝试引入网络分析方法,并将其应用于迄今为止一直以不同方式进行研究的领域:民族电影研究。之所以采用这种方法,是因为在现有的德国电影研究中发现了一个难题,即电影史与政治史通常并不匹配。其目的是通过研究电影制作数据,更具体地说是合作数据,为时期划分问题打开另一个视角。通过使用德国电影中心网络平台 Filmportal 提供的综合数据集,本文的研究方法是考察 1919 年至 1939 年期间参与电影制作的主要创作者,并通过使用网络研究方法对(国家)电影文化中的合作与联系进行概念化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Cultural Analytics
Journal of Cultural Analytics Arts and Humanities-Literature and Literary Theory
CiteScore
2.90
自引率
0.00%
发文量
9
审稿时长
10 weeks
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