The Landscape of the Battlefield

Q2 Arts and Humanities
Lidia Sudyka
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引用次数: 0

Abstract

The article presents an in-depth analysis of the description of the battlefield found in the poem Varadāmbikāpariṇaya or “The Marriage of Varadāmbikā,” composed in verse and prose (campū) by Tirumalāmbā, a poetess active at Acyutadevarāya’s court, and most likely his wife. The detailed accounts of war campaigns, with depictions of marching troops and battles, concern the figure of Acyutadevarāya’s father, Narasa Nāyaka, whom the authoress calls King Narasiṃha. The verbal portrayal of the battle against the Chola ruler is particularly striking. It is unlikely to find in other works of kāvya literary tradition a similarly dazzling compilation of images painting a word picture of the battleground by means of objects and situations belonging to a sphere of human life so different from the deadly combat.
战场景观
这篇文章深入分析了诗歌 Varadāmbikāpariṇaya 或 "Varadāmbikā 的婚姻 "中对战场的描述,该诗歌由 Tirumalāmbā 以诗歌和散文(campū)形式创作,Tirumalāmbā 是一位活跃在 Acyutadevarāya 宫廷的女诗人,很可能是他的妻子。诗中详细记述了战争战役,描绘了军队行军和战斗的场面,涉及阿修塔德瓦拉耶的父亲那罗萨-那耶迦,女诗人称他为那罗西国王。书中对与乔拉统治者战斗的描写尤其引人注目。在卡维亚文学传统的其他作品中,不太可能找到类似的令人眼花缭乱的图像汇编,通过与致命战斗截然不同的人类生活领域中的物品和情况,描绘出一幅战场的文字图画。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Cracow Indological Studies
Cracow Indological Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
9
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