The creative city’s swan song? The individualisation of the music scene in Bologna, UNESCO City of Music

IF 4.2 1区经济学 Q1 ENVIRONMENTAL STUDIES

Urban Studies Pub Date : 2024-07-28 DOI:10.1177/00420980241257791

Sabrina Pedrini, Massimo Giovanardi, Raffaele Corrado

引用次数: 0

Abstract

This paper extends the debate on medium-sized cities as active designers of place-specific neoliberal identities by reporting relevant findings from Bologna, European Capital of Culture in 2000 and a UNESCO City of Music since 2006. The study identifies the formal relationships of collaboration among local musicians as a relevant proxy to discuss the individualisation of the pop-rock music scene and its variations between 1978 and 2019. For this purpose, formal Social Network Analysis is combined with semi-structured interview analysis and archival research. The findings reveal decreased levels of social cohesion among artists and establishes a link between growing individualisation in the local music scene and an increasing tourist-orientation in the city.

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创意城市的天鹅之歌？联合国教科文组织音乐之城博洛尼亚音乐界的个性化发展

博洛尼亚是 2000 年的欧洲文化之都，自 2006 年起成为联合国教科文组织的音乐之城。本研究将当地音乐家之间的正式合作关系作为一个相关的代表，以讨论 1978 年至 2019 年间流行摇滚音乐场景的个性化及其变化。为此，正式的社会网络分析与半结构化访谈分析和档案研究相结合。研究结果表明，艺术家之间的社会凝聚力有所下降，并将本地音乐界日益增长的个性化与城市日益增长的游客导向性联系了起来。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Urban Studies Multiple-

CiteScore

10.50

自引率

8.50%

发文量

150

期刊介绍： Urban Studies was first published in 1964 to provide an international forum of social and economic contributions to the fields of urban and regional planning. Since then, the Journal has expanded to encompass the increasing range of disciplines and approaches that have been brought to bear on urban and regional problems. Contents include original articles, notes and comments, and a comprehensive book review section. Regular contributions are drawn from the fields of economics, planning, political science, statistics, geography, sociology, population studies and public administration.