A Descriptive Exploration of Heart Rate Response to Live Professional Irish Dance Performance.

IF 1.1 Q3 SPORT SCIENCES
Sarah C Needham-Beck, Marcus S Smith, Andy T West, Edel Quin
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Abstract

Introduction: Research investigating the physiological demands of dance performance has documented exercise intensity and time spent in work and rest; however, available data are across limited dance genres and often use rehearsal or simulated conditions. Real-time data recorded during live performance with an audience are limited. The aim of the study is to provide a detailed description of the physiological demands of live professional Irish dance performance. Method: The entire Irish dance cast of Riverdance participated in the study (n = 24). Approval was granted by the Institutional Research Ethics Committee. Matinee and evening performances on the first day of a tour were examined in a descriptive, cross-sectional design. Heart rate (HR) monitors worn discretely under costumes recorded data every 5-seconds. Video analysis allowed calculation of time spent in work and rest. All descriptive analyses were split by role (troupe/lead) and sex (male/female). Results: Dancers worked at hard/very hard intensities (mean > 72%, peak > 91% HRmax) for ~3 minutes at a time for 3-9 individual dance numbers. There was a high variation in overall demand experienced by individual dancers due to variation in both duration and intensity of on-stage time, dependent upon their role. Mean total on-stage time was 18.18 ± 5.82 minutes, 19.43 ± 5.80 minutes, 29.71 ± 0.62 minutes, 20.00 ± 0.00 minutes for male troupe, female troupe, male lead, and female lead dancers, respectively. Recovery periods were varied in terms of duration, activity undertaken, and HR response. Conclusion: Individual dance numbers within a professional Irish dance show were high intensity for a short duration when considered in isolation, but overall physiological demand experienced by any one dancer across the entire show varied dependent upon their role and off-stage/recovery practices. Future research investigating the physiological demands of dance performance should ensure analysis accounts for the individual dancer's role and should capture the entire show duration in repeated exposures.

对现场专业爱尔兰舞蹈表演的心率反应进行描述性探索。
导言:对舞蹈表演的生理需求进行的研究记录了运动强度以及工作和休息所花费的时间;然而,现有数据只涉及有限的舞蹈类型,并且通常使用排练或模拟条件。在有观众观看的现场表演中记录的实时数据非常有限。本研究旨在详细描述爱尔兰专业舞蹈现场表演的生理需求。研究方法大河之舞》的所有爱尔兰舞蹈演员都参与了这项研究(n = 24)。研究获得了机构研究伦理委员会的批准。研究采用描述性横断面设计,考察了巡演第一天的午场和晚场演出。佩戴在服装下的心率 (HR) 监测器每 5 秒钟记录一次数据。通过视频分析,可以计算出工作和休息所用的时间。所有描述性分析均按角色(剧团/领队)和性别(男/女)分列。结果舞者在 3-9 个单个舞蹈动作中,以高强度/超高强度(平均 > 72%,峰值 > 91% 最大心率)工作约 3 分钟。由于舞者的角色不同,他们在舞台上的持续时间和强度也不同,因此每个舞者的总体需求差异很大。男团、女团、男领舞和女领舞的平均舞台总时间分别为 18.18 ± 5.82 分钟、19.43 ± 5.80 分钟、29.71 ± 0.62 分钟和 20.00 ± 0.00 分钟。恢复期的长短、活动量和心率反应各不相同。结论如果孤立地看,爱尔兰舞蹈专业表演中的单个舞段在短时间内都是高强度的,但任何一个舞者在整场表演中所经历的总体生理需求都因其角色和下台/恢复练习而异。未来调查舞蹈表演生理需求的研究应确保分析考虑到舞者的个人角色,并应在重复暴露中捕捉整个表演持续时间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.80
自引率
11.10%
发文量
33
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