Leaving; or, Wide Awake and Staring into Nothing (with Pet Shop Boys)

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2024-07-23 DOI:10.1353/pmc.2023.a931361

Mikko Tuhkanen

引用次数: 0

Abstract

Abstract:

This essay identifies two modes of "escape" in the "gay fugues" of Pet Shop Boys, differentiated by their (non)fascist potential. To trace this potential, the essay engages the work of Lee Edelman, Leo Bersani, and Ernesto Laclau, while extracting further lessons from Stefan Zweig, Village People, Russian history, Fourierism, AIDS eulogies, West Side Story, and the mathematics of zero.

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离开；或，清醒地凝视着虚无（与宠物店男孩合作）

摘要：这篇文章从宠物店男孩的 "同性恋赋格曲 "中找出了两种 "逃离 "模式，并根据其（非）法西斯主义的潜力加以区分。为了追溯这种潜力，文章参考了李-埃德尔曼（Lee Edelman）、利奥-贝尔萨尼（Leo Bersani）和埃内斯托-拉克劳（Ernesto Laclau）的作品，并从斯特凡-茨威格（Stefan Zweig）、《乡村居民》（Village People）、俄罗斯历史、傅立叶主义、艾滋病悼词、《西区故事》（West Side Story）和 "零 "的数学中汲取了更多教训。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.