The Algorithmic Pedestal: a Practice-Based Study of Algorithmic & Artistic Curation

IF 0.4 4区 艺术学 0 ART
LEONARDO Pub Date : 2024-07-19 DOI:10.1162/leon_a_02561
Laura M. Herman, Caterina Moruzzi
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引用次数: 0

Abstract

This paper delineates the authors’ practice-based findings from The Algorithmic Pedestal exhibit, a practice-based research project examining the impact of algorithmic curation on visual ecology. Instagram, a platform that deploys algorithmic recommendations to select and display artworks, was instructed to choose a set of images from the Metropolitan Museum of Art’s collection to display. A London-based artist also chose images to display from the same collection. In this paper, the authors reflect on the process of producing an exhibit with both machinic and human curatorial inputs; they also share and describe the selected images for the first time.
算法平台:基于实践的算法与艺术策划研究
本文阐述了作者在 "算法展台"(The Algorithmic Pedestal)展览中基于实践的发现,这是一个基于实践的研究项目,旨在探讨算法策划对视觉生态的影响。Instagram是一个利用算法推荐来选择和展示艺术作品的平台,它被要求从大都会艺术博物馆的藏品中选择一组图片进行展示。一位驻伦敦的艺术家也从同一藏品中选择了要展示的图片。在本文中,作者回顾了利用机器和人工策展输入制作展览的过程,并首次分享和描述了所选图片。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
LEONARDO
LEONARDO ART-
CiteScore
0.90
自引率
0.00%
发文量
139
期刊介绍: Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.
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