The Child Protagonist: Children’s Agency in International Children’s Rights Law and in Four Francophone African Novels

IF 0.2 4区 文学 0 LITERATURE, ROMANCE
Kate MacKenzie
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引用次数: 0

Abstract

In this article, I explore how the contested notion of children’s agency is represented in international children’s rights law and in four novels by francophone African authors. The United Nations Convention on the Rights of the Child and the African Charter on the Rights and Welfare of the Child establish children as rights holding subjects within a framework of adult care, while the fictional texts position children as protagonists, deprived of adult protection amid conflict and social upheaval. In both, children are understood as acting and acted upon, forming and formed by their environment. Through the utopian vision of children’s rights law and the damaged child narratives of the fictional texts, children’s agency can be read as a critique of adult society. At the same time, children are recognized as active participants in history, their choices and actions, however determined, shaping their own future selves and society.
儿童主角:国际儿童权利法和四部法语非洲小说中的儿童代理权
在本文中,我将探讨国际儿童权利法和非洲法语作家的四部小说是如何体现有争议的儿童代理权概念的。联合国《儿童权利公约》和《非洲儿童权利与福利宪章》将儿童确立为成人关爱框架下的权利主体,而小说文本则将儿童定位为主角,在冲突和社会动荡中被剥夺了成人的保护。在这两部作品中,儿童被理解为行动者和被行动者,是环境的形成者和被形成者。通过儿童权利法的乌托邦愿景和小说文本中受损儿童的叙事,儿童的能动性可被解读为对成人社会的批判。同时,儿童被认为是历史的积极参与者,他们的选择和行动,无论如何决定,都在塑造未来的自我和社会。
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来源期刊
Nottingham French Studies
Nottingham French Studies LITERATURE, ROMANCE-
CiteScore
0.20
自引率
0.00%
发文量
20
期刊介绍: Nottingham French Studies is an externally-refereed academic journal which, from Volume 43, 2004, appears three times annually, with at least one special and one general issue each year. Its Editorial Board is drawn from members of the Department of French and Francophone Studies of the University of Nottingham, with the support of an International Advisory Board.
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