{"title":"Full Metal Kuleshov Effect","authors":"Travis Wilkerson","doi":"10.37186/swrks/14.1/5","DOIUrl":null,"url":null,"abstract":"“Full Metal Kuleshov Effect” interrogates “Full Metal Jacket” with a particular emphasis on the problematics of its neo-colonial gaze, racism, sexism, and cultural Imperialism, by counterposing the works of Santiago Alvarez (Cuba) and Hai Ninh (Vietnam).","PeriodicalId":498739,"journal":{"name":"Screenworks","volume":"285 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Screenworks","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.37186/swrks/14.1/5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
“Full Metal Kuleshov Effect” interrogates “Full Metal Jacket” with a particular emphasis on the problematics of its neo-colonial gaze, racism, sexism, and cultural Imperialism, by counterposing the works of Santiago Alvarez (Cuba) and Hai Ninh (Vietnam).