Aistė Kučinskienė, Viktorija Šeina, Saulius Vasiliauskas
{"title":"Du sovietinio kanono autoriai posovietinėje Lietuvos mokykloje: Petras Cvirka ir Salomėja Nėris","authors":"Aistė Kučinskienė, Viktorija Šeina, Saulius Vasiliauskas","doi":"10.51554/coll.24.53.05","DOIUrl":null,"url":null,"abstract":"The article examines the place of two Lithuanian writers, Salomėja Nėris (1909–1947) and Petras Cvirka (1904–1945), in the high school canon of Lithuanian literature in the post-Soviet period. First, the canonisation of these writers in the Soviet Lithuanian school system is analysed, or more precisely, in school curricula and textbooks from that time. Afterwards, we examine the revision of their canonical position after the restoration of Lithuania’s independence (1990). The research applies the socio-cultural methodological approach of canon research. A large sample of sources is used: school curricula, textbooks, readers, press publications, and other contextual materials. The study has revealed the different evaluation of Nėris and Cvirka in post-Soviet schools, which is largely due to differences in writers’ biographies. Since Cvirka consistently held and expressed left-wing and later pro-Soviet views in his work throughout his life, his oeuvre gradually disappeared from the upper school curriculum as the de-sovietisation of Lithuanian culture took place in the late 20th and early 21st centuries. Nėris, on the contrary, has retained her central position in the school canon in the post-Soviet period. When her last collection of poems was first published in the late 20th century, in the order Nėris’ herself had wanted, it became possible to reposition certain aspects of her life and work. ","PeriodicalId":37193,"journal":{"name":"Colloquia","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2024-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Colloquia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51554/coll.24.53.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The article examines the place of two Lithuanian writers, Salomėja Nėris (1909–1947) and Petras Cvirka (1904–1945), in the high school canon of Lithuanian literature in the post-Soviet period. First, the canonisation of these writers in the Soviet Lithuanian school system is analysed, or more precisely, in school curricula and textbooks from that time. Afterwards, we examine the revision of their canonical position after the restoration of Lithuania’s independence (1990). The research applies the socio-cultural methodological approach of canon research. A large sample of sources is used: school curricula, textbooks, readers, press publications, and other contextual materials. The study has revealed the different evaluation of Nėris and Cvirka in post-Soviet schools, which is largely due to differences in writers’ biographies. Since Cvirka consistently held and expressed left-wing and later pro-Soviet views in his work throughout his life, his oeuvre gradually disappeared from the upper school curriculum as the de-sovietisation of Lithuanian culture took place in the late 20th and early 21st centuries. Nėris, on the contrary, has retained her central position in the school canon in the post-Soviet period. When her last collection of poems was first published in the late 20th century, in the order Nėris’ herself had wanted, it became possible to reposition certain aspects of her life and work.