L’image de la Femme Francophone en Égypte: Entre la Fiction et la Réalité; à la Lumière des Théories Imagologiques et les Perspectives Socioculturelles du CECRL

Inji A. Abouelkheir
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Abstract

: Snob, adorned with a European-style hat and little gloves, epitomizes the character of Bakiza Hanem el-Daramali, as depicted in the Egyptian television series "Bakiza w Zaghloul" during the 1980s. Since the airing of this series, the character of Bakiza has become a stereotype of the Francophone woman in Egypt. Concurrently, significant Francophone female figures, such as Inji Aflatoun, emerged prominently in Egyptian society. Thirty-five years later, in 2022, this image of Bakiza was revitalized with the character of Farida Hanem el-Hamamsi in "Ahlam Saida", despite the increasing presence of Francophone women across various domains of Egyptian society, exemplified by figures like Amina Rachid. Employing a comparative imagology methodology, this study aims to juxtapose four female figures from 20th-century Egypt, drawing from both television art and literature. On one hand, the analysis includes two fictional characters: Bakiza Hanem and Farida Hanem. On the other hand, it examines two real-life female icons through monographs: Madame Inji Aflatoun, as portrayed in "Mothakerat Inji Aflatoun" (1993) by Saïd Khayyal, and Madame Amina Rachid, as depicted in the monograph "La traversée vers l’autre" (2020) by Salma Moubarak. This study seeks to address whether a Francophone Egyptian woman can transcend the boundaries between social classes that lack a French education, given that sociocultural values are considered an inalienable condition by the CECRL and the derived theories
埃及法语国家妇女的形象:在虚构与现实之间;从想象力理论和 CEFR 的社会文化视角来看
:势利小人,头戴欧式礼帽,手戴小手套,是 20 世纪 80 年代埃及电视连续剧《Bakiza w Zaghloul》中 Bakiza Hanem el-Daramali 形象的缩影。自该电视剧播出以来,Bakiza 这个角色已成为埃及法语妇女的定型形象。与此同时,Inji Aflatoun 等重要的法语女性人物也在埃及社会中崭露头角。35 年后的 2022 年,《阿赫拉姆-赛达》中法丽达-哈内姆-哈曼西的角色重新塑造了巴基扎的这一形象,尽管在埃及社会的各个领域,法语女性的身影越来越多,例如阿米娜-拉希德(Amina Rachid)。本研究采用比较图像学的方法,旨在将 20 世纪埃及的四位女性形象并置,并从电视艺术和文学作品中汲取素材。一方面,分析包括两个虚构人物:Bakiza Hanem 和 Farida Hanem。另一方面,它通过专著研究了两位现实生活中的女性偶像:萨伊德-卡亚尔(Saïd Khayyal)在《Mothakerat Inji Aflatoun》(1993 年)中描绘的因吉-阿夫拉通夫人,以及萨尔玛-穆巴拉克(Salma Moubarak)在专著《La traversée vers l'autre》(2020 年)中描绘的阿米娜-拉希德夫人。鉴于社会文化价值观被 CECRL 和衍生理论视为不可剥夺的条件,本研究试图探讨讲法语的埃及妇女能否跨越缺乏法语教育的社会阶层之间的界限。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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