The mapping of social networks and computer technology in the star wars universe in 1977-2023: a historical retrospective

K. V. Kasparyan, M. Rutkovskaya, I. N. Kolesnikov
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Abstract

This article is devoted to the study of the specific features of the display of social networks and computer technologies in the late 70s of the XX – early 20s of the XXI century in the fantastic Star Wars universe created by American filmmaker D. Lucas. In this scientific work, the authors argue for the relevance and scientific novelty of the problem under consideration. The study examines the peculiarities of the influence of social networks and computer technologies in modern conditions. The article provides a justification for the need to analyze the reflection of this issue in fantasy art as an auxiliary factor in the development of the prognostic function of science. This paper provides a reasoned explanation of the choice of the Star Wars universe as an object of research, taking into account its importance in the fantasy genre, as well as in order to refute stereotypes according to which Star Wars is a collection of entertainment materials in which there is completely no semantic load. The authors analyze the fundamental differences in the coverage of the studied problem in such genres of art as literature and cinema in the context of Star Wars. The article examines the features of the evolution of the display of cybernetic technologies and communication network platforms in the Star Wars universe in the mid‑1970s – early 2020s, as a reflection of the real development of scientific and technological progress, as well as an example of the impact of political, socio‑economic and moral factors on the use of online platforms and computer technology during the period under study. In this article, using the example of the Star Wars universe, the features of the transformation of the role of specialists in the field of high technology through the prism of the attitude of artists to them – more specifically, writers and cinematographers – are also considered. The article also examines the moral and ethical aspect of the use of computer technology and social networks, considered by artists who have made a significant contribution to the development of the fantastic epic of Star Wars.
1977-2023 年星球大战宇宙中社交网络和计算机技术的映射:历史回顾
本文致力于研究二十世纪七十年代末至二十一世纪初美国电影导演卢卡斯(D. Lucas)创作的奇幻《星球大战》宇宙中社交网络和计算机技术的具体展示特征。在这部科学著作中,作者论证了所研究问题的相关性和科学新颖性。该研究探讨了现代条件下社会网络和计算机技术影响的特殊性。文章论证了在幻想艺术中分析反映这一问题的必要性,认为幻想艺术是发展科学预言功能的辅助因素。考虑到《星球大战》宇宙在奇幻流派中的重要性,本文对选择《星球大战》宇宙作为研究对象做出了合理解释,同时也是为了驳斥那些认为《星球大战》是一个完全没有语义负载的娱乐素材集的刻板印象。作者以《星球大战》为背景,分析了所研究的问题在文学和电影等艺术流派中涵盖范围的根本差异。文章研究了 20 世纪 70 年代中期至 20 世纪 20 年代初《星球大战》宇宙中网络技术和通信网络平台的展示演变特点,以此反映科技进步的真实发展,并举例说明研究期间政治、社会经济和道德因素对网络平台和计算机技术使用的影响。本文还以《星球大战》宇宙为例,通过艺术家(更具体地说是作家和电影摄影师)对高科技领域的态度这一棱镜,探讨了高科技领域专家角色转变的特点。文章还探讨了计算机技术和社交网络的使用所涉及的道德和伦理问题,这些问题是那些为《星球大战》这部奇幻史诗的发展做出了重要贡献的艺术家们所考虑的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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