John S. Heywood, Sofia Izquierdo Sanchez, Maria Navarro Paniagua
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引用次数: 0
Abstract
We estimate gender earnings differentials among Hollywood stars. While this market should be particularly efficient in translating productivity into earnings, we demonstrate an unexplained female earnings gap of over two million dollars a film. Critically, we show that action films drive this gap. Our movie fixed effects estimate a much larger-million-dollar gap among action movies and a smaller statistically insignificant gap among other genres. Within the other genres, the one significant earnings gap is among stars older than 50. We argue that these patterns could reflect “consumer discrimination” but also raise other possibilities.
期刊介绍:
Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ