Design Thinking: Standing on the Shoulders of… Graphic Design!

IF 0.4 2区 艺术学 0 ARCHITECTURE
DESIGN ISSUES Pub Date : 2024-07-01 DOI:10.1162/desi_a_00766
Robert Harland;Yaron Meron
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引用次数: 0

Abstract

Prominent design discourse or advocacy in the domain of “design thinking” rarely depicts graphic design consistently or with sufficient rigor and understanding about the field's role in the development of design studies. Nor do most advocates for graphic design proffer it to be little more than a vernacular activity when competing for academic attention, despite its widespread academic presence, industry prominence, and everyday practice. The arguments presented here offer a timely critical perspective on a frequently unchallenged prevailing discourse that has echoed consistent assumptions over several decades. We call for more integrity in respect for those who design in different communication contexts, more precision in discussing how graphic design has evolved and been portrayed, and more rigor in the thoroughness and care that research into graphic design and its associated fields demands. The outcomes will be of particular interest to researchers who draw on and re-present Buchanan's four orders of design concept and offer an alternative perspective to those who suggest graphic design relies overly on intuition when deliberating on design thinking.
设计思维:站在巨人的肩膀上...... 平面设计!
在 "设计思维 "领域的著名设计论述或宣传中,很少有对平面设计的一贯描述,也很少有对该领域在设计研究发展中的作用的足够严谨和理解。尽管平面设计在学术界、工业界和日常实践中广泛存在,但在争夺学术注意力时,大多数平面设计的倡导者也不会把它说成只是一种方言活动。本文提出的论点及时地从批判的角度,对几十年来经常不受质疑的主流论述提出了一致的假设。我们呼吁在尊重不同传播环境中的设计者时要更加正直,在讨论平面设计是如何演变和被描绘时要更加精确,在对平面设计及其相关领域的研究要求彻底和谨慎时要更加严谨。对于那些借鉴并重新阐述布坎南的四种设计秩序概念的研究人员来说,这些成果将具有特别的意义,并为那些认为平面设计在讨论设计思维时过分依赖直觉的人提供了另一种视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
DESIGN ISSUES
DESIGN ISSUES ARCHITECTURE-
CiteScore
1.60
自引率
0.00%
发文量
23
期刊介绍: The first American academic journal to examine design history, theory, and criticism, Design Issues provokes inquiry into the cultural and intellectual issues surrounding design. Regular features include theoretical and critical articles by professional and scholarly contributors, extensive book reviews, and illustrations. Special guest-edited issues concentrate on particular themes, such as artificial intelligence, product seminars, design in Asia, and design education. Scholars, students, and professionals in all the design fields are readers of each issue.
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