Collective Memory, Visual Communication, and Symbolic Interactions with Statues: The Case of the Charging Bull of Wall Street

IF 1.7 Q2 SOCIOLOGY
Societies Pub Date : 2024-06-22 DOI:10.3390/soc14070097
Annosha Mubasher, Tim F. Liao
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引用次数: 0

Abstract

This research is concerned with individuals’ symbolic interactions with the Charging Bull statue. We chose this statue because it is an extremely popular tourist attraction and the most visited nonhuman statue in New York City. However, there is no research devoted to understanding how visitors interact with the statue. To fill this gap in the literature, we examine people’s interactions as a unique way of communicating with the Charging Bull statue in New York City through a photo analysis approach. Using the general framework of symbolic interactionism, the paper investigates poses, gestures, and more generally interactions of individuals near or with the statue to gain insights into the impact of the Charging Bull beyond a mere visual representation. The findings reveal various forms of interaction, including souvenir photography, active participation, unexpected interactions, and public-made symbolism. This study of these interactions contributes to the literature on collective memory and the study of statues. Additionally, this research highlights the inventiveness of the dynamic relationship between individuals and statues as symbols in the urban environment.
集体记忆、视觉传达以及与雕像的符号互动:华尔街冲锋公牛的案例
本研究关注的是个人与冲锋公牛雕像之间的象征性互动。我们之所以选择这座雕像,是因为它是一个非常受欢迎的旅游景点,也是纽约市参观人数最多的非人类雕像。然而,目前还没有专门研究来了解游客是如何与雕像互动的。为了填补这一文献空白,我们通过照片分析方法研究了人们与纽约市 "冲锋公牛 "雕像交流的一种独特方式--互动。本文采用象征互动论的一般框架,研究了雕像附近或与雕像之间的个人姿势、手势以及更广泛的互动,以深入了解 "冲锋公牛 "的影响,而不仅仅是视觉表现。研究结果揭示了各种形式的互动,包括纪念摄影、积极参与、意想不到的互动以及公众制造的象征意义。对这些互动的研究为有关集体记忆和雕像研究的文献做出了贡献。此外,这项研究还强调了城市环境中个人与作为象征的雕像之间动态关系的创造性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Societies
Societies SOCIOLOGY-
CiteScore
3.10
自引率
9.50%
发文量
150
审稿时长
11 weeks
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