Echoes of silence: an embossed poetic inquiry

Abstract

Purpose

Silences in qualitative social science research present a unique and sometimes ambiguous challenge for researchers. When working with transcription artefacts, considering not only what has been said but also what has been silenced, omitted, overlooked or brushed over allows new ways of examining a phenomenon. This paper explores a new methodological approach to exploring these silences.

Design/methodology/approach

This article explores “embossed” poetry as a methodological process to consider what has not been said. Via an empirical study that examined the experience of six teachers of a year nine programme in Victoria, Australia, we explore how embossed poems within a larger research project allowed the interrogating of silences. Through a polyvocal performance of text and poetry, this paper argues that embossed poetry offers significant methodological possibilities through which previously silenced ideas and analytical processes can become visible within poetic research praxis.

Findings

The findings of this paper are that by using embossed concrete poems, researchers can explore new territories within qualitative work. By putting down the keyboard and picking up a hand-embossing tool, new space for thought emerges and other parts of an assemblage can be explored.

Originality/value

This paper presents a unique methodological contribution to poetic inquiry. Furthermore, it explores the path trodden to develop this new approach through a reflexive-diffractive polyvocal text.