Introduction: Ritual Performance and Religious Identity

Q4 Social Sciences
Paulo G. Pinto, Liza Dumovich
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引用次数: 0

Abstract

Tradition is a multifaceted concept and a term with contested meanings. It is usually understood as an unchanging collection of artefacts passed down from generation to generation, where continuity between past and present is expected and assumed. Scholarly studies, however, have shown that tradition is continuously produced and ‘invented’ in order to cope with the present and to imagine a possible future. The articles in this special issue explore different ways in which tradition is imagined, articulated and produced in different religious contexts, in which Islam serves as a focus for reference or contrast. They show that a specific Islamic tradition can undergo profound transformations to the point of losing its connection with Islam, both at the individual and at the social or communal levels.
导言:仪式表演与宗教身份
传统是一个多层面的概念,也是一个含义有争议的术语。它通常被理解为代代相传、一成不变的手工艺品,人们期待并假定过去与现在之间具有连续性。然而,学术研究表明,传统是不断被创造和 "发明 "出来的,以应对现在和想象可能的未来。本特刊中的文章探讨了在不同的宗教背景下想象、阐述和创造传统的不同方式,其中伊斯兰教是参照或对比的焦点。这些文章表明,无论是在个人层面,还是在社会或社区层面,特定的伊斯兰传统都可能经历深刻的变革,以至于与伊斯兰教失去联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Anthropology of the Middle East
Anthropology of the Middle East Social Sciences-Anthropology
CiteScore
0.40
自引率
0.00%
发文量
18
审稿时长
16 weeks
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