Like Drifting Sand Dunes: Noisy Lessons in a Porous Field

IF 1.1 4区 教育学 0 ART
Raphael Vella
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Abstract

This paper argues that the teaching of art in Higher Educational Institutions is inherently paradoxical. Informed by the transgressive and interdisciplinary qualities of contemporary artistic practices, education nevertheless is often made to fit into a reductionist, outcome-oriented and individualistic discourse. Taking a weeklong workshop at the Nida Art Colony in Lithuania as a practical axis for its reflections on the fluid nature of art education, the paper discusses possibilities of extending beyond pedagogical, political, human/nonhuman and other borders and treating ‘noise’ and other ‘interferences’ as opportunities for transgression and dialogue. This workshop with students from the Vilnius Academy of Arts took place in September 2022, at a time characterised by the Russia–Ukraine war. Nida's proximity to Russia's exclave Kaliningrad, its location on the narrow Curonian Spit, and its immediate environment characterised by woods and sand dunes provide this paper with a setting for a discussion about a variety of borders: territorial borders, border pedagogies, perceived borders between human and nonhuman entities, between land and sea, and so on. Borders are described as dominant indicators of power and distinction, while educational standards and instruments of measurement often replicate similar distinctions between the known and the unfamiliar. Yet, borders can also be shifted while new connections and dialogues across real and conceptual borders can be forged in a porous process that is predisposed towards flexible scenarios characterised by the ‘not-yet’. The surrounding forest and wetlands and huge drifting sand dunes in Nida become analogies for the changing structure of the workshop, silently yet overpoweringly advocating for a mutable pedagogy. Analysed through the work of various contemporary artists, this nonhuman intrusion into a pedagogical and creative experience is both undefined and vulnerable, unlike the preordained structures of attainment targets often associated with contemporary schooling.

就像漂流的沙丘多孔领域中的嘈杂课程
本文认为,高等教育机构的艺术教学本质上是自相矛盾的。在当代艺术实践的超越性和跨学科特质的影响下,教育往往被简化为以结果为导向的个人主义话语。本文以立陶宛尼达艺术殖民地为期一周的工作坊为实践轴心,对艺术教育的流动性进行了反思,讨论了超越教学、政治、人类/非人类和其他边界的可能性,并将 "噪音 "和其他 "干扰 "视为超越和对话的机会。与维尔纽斯艺术学院学生的研讨会于 2022 年 9 月举行,当时正值俄乌战争。尼达毗邻俄罗斯的飞地加里宁格勒,地处狭窄的库伦海峡,周边环境以树林和沙丘为特色,这为本文讨论各种边界问题提供了背景:领土边界、边界教学法、人类与非人类实体之间的边界、陆地与海洋之间的边界等。边界被描述为权力和区别的主要指标,而教育标准和衡量工具往往复制已知和陌生之间的类似区别。然而,边界也是可以改变的,在一个多孔的过程中,可以跨越现实和概念边界建立新的联系和对话,这个过程倾向于以 "尚未 "为特征的灵活情景。尼达周围的森林、湿地和巨大的漂流沙丘成为工作坊结构变化的类比,无声却又有力地倡导着一种可变的教学法。通过对多位当代艺术家的作品进行分析,这种非人类对教学和创造性体验的入侵既不明确,又容易受到伤害,与当代学校教育中经常出现的预设成绩目标结构不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.90
自引率
9.10%
发文量
47
期刊介绍: The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education.
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