A Study on the Space Images of “The Chinese Gold Murders”

Zhengyang Liu
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Abstract

As one of the works in A Judge Dee Mystery written by Robert Van Gulik, The Chinese Gold Murders contains many space images with multi-cultural elements to be researched. In Chinese Professor Cao Shunqing’s theory, Imagology of Comparative Literature in The Variation of Comparative Literature, Ideology and Utopia are two cross-cultural literary concepts that can be used to illustrate them. So, combining the texts and the theory, it is obvious to see changes and constants in space images. They both reflect the relationship between Chinese original space images and the method of how the author and his domestic literary culture handle them. The reason why they happen is misreading, which originates from the differences between Eastern and Western literary traditions. However, Utopia in this work does show some new inspirations compared to Cao’s elucidation, which can be seen as a supplement. Ideology and Utopia can serve as the basis and reminder for further advancement of Imagology of Comparative Literature.
中国黄金谋杀案》空间影像研究
作为罗伯特-范-古利克所著《狄法官之谜》中的一部作品,《中国黄金谋杀案》包含了许多有待研究的具有多元文化元素的空间意象。曹顺庆教授在《比较文学的变异》中提出的 "比较文学的想象 "理论中,"意识形态 "和 "乌托邦 "是两个跨文化的文学概念。因此,结合文本和理论,可以明显看出空间意象的变与不变。它们都反映了中国原创空间意象与作者及其国内文学文化处理方法之间的关系。它们发生的原因在于误读,误读源于东西方文学传统的差异。不过,与曹文轩的阐释相比,这部作品中的《桃花源记》确实表现出了一些新的启示,可以看作是一种补充。意识形态与乌托邦》可以作为进一步推进比较文学想象学的基础和提醒。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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