“¿No es asombro lo que he buscado toda mi vida?” Tiburón or of the Staging of Otherness

Angela Di Matteo
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引用次数: 0

Abstract

Tiburón, by Lagartijas tiradas al sol, constructs on stage a game of theatrical deceptions between reality and rewritings. Inspired by the desire to relive the awe of American nature that the missionary José María de Barahona had experienced during his journey to Tiburón Island in the Sea of Cortés, in 2019 Lázaro sets sail for the same island to retrace the steps of the friar and thus write his Anthropology thesis on the Tokáriku tribe. The only actor on stage splits into two (or more?) characters in an intertextual mise en abyme that mixes fiction and chronicles, historical novel and documentary theatre, ‘civilisation’ and ‘barbarism’.
"我毕生追求的难道不是惊奇吗?
由 Lagartijas tiradas al sol 创作的《Tiburón》在舞台上构建了一场现实与改写之间的戏剧欺骗游戏。传教士何塞-玛丽亚-德-巴拉奥纳(José María de Barahona)曾在前往科尔特斯海的提布隆岛的旅途中体验到对美洲大自然的敬畏之情,受此启发,2019 年,拉扎罗起航前往同一岛屿,重走修道士的足迹,从而撰写他关于托卡里库部落的人类学论文。舞台上唯一的演员分裂成两个(或更多?)角色,上演了一场互文式混搭,混合了小说与编年史、历史小说与纪实戏剧、"文明 "与 "野蛮"。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Rassegna Iberistica
Rassegna Iberistica Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
22
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