Rewriting Catullus 63 in Renaissance Italy

IF 0.3 3区 社会学 0 CLASSICS
Giandamiano Bovi
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引用次数: 0

Abstract

The article focusses on two Renaissance reinterpretations of Catullus 63, one of his least imitated poems in Italy during that period. I deal with the poetic reinterpretation of Catullus’ lines and the reshaping of his choice of metre and genre. I start with a poem by Marullus that defined the way Catullus 63 was later imitated; I continue with the description of a unique reshaping of Catullus’ Attis by Giovambattista Pigna, in which I show some reminiscences from Ariosto’s Furioso. I add insights on Pigna’s blending of Catullus with other ancient and contemporary sources.

在文艺复兴时期的意大利重写卡图卢斯 63
这篇文章重点探讨了文艺复兴时期对卡图卢斯《63》的两种重新诠释,这首诗是卡图卢斯在意大利被模仿最少的一首诗。我探讨了对卡图卢斯诗句的重新诠释,以及对其格律和体裁选择的重新塑造。我从马鲁卢斯的一首诗开始,这首诗确定了卡图卢斯 63 后来被模仿的方式;我继续描述乔万巴蒂斯塔-皮格纳对卡图卢斯的《阿提斯》的独特重塑,其中我展示了阿里奥斯托的《富里奥索》中的一些回忆。我还对皮涅纳将卡图卢斯与其他古代和当代资料相融合的做法提出了自己的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
17
期刊介绍: The first journal exclusively dedicated to the reception of Greek and Roman antiquity by other cultures, from the ancient world to the present time, International Journal of Classical Tradition''s primary focus is on the creative use of the ancient Greco-Roman heritage in a broad range of scholarly endeavors. Articles are published in five languages. The journal includes articles, short notes, research reports, review articles, and news of the field. The official journal of the International Society for the Classical Tradition.
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