Perspectives of Ballet Dancers on Causes of Their Injuries and Implementation of Injury Preventive Measures by Ballet Teachers and Masters.

IF 0.9 4区 医学 Q3 MEDICINE, GENERAL & INTERNAL
Judith-Elisa Kaufmann, Janine H Stubbe, Rob Ghh Nelissen, Maaike Gj Gademan
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引用次数: 0

Abstract

Objectives: Ballet dancers have a high injury risk. We aimed to gain insight into the causes for acute and overuse injuries in ballet dancers and the level of implementation of injury prevention by ballet teachers/masters, as perceived by dancers.

Methods: An international cross-sectional online-survey was based on the Fit-to-Dance Questionnaire and literature. Adult amateur, pre-professional, and professional ballet dancers reported the perceived causes of their injuries sustained in the previous 2 years. Multiple answers per injury were possible. Also, dancers rated the level of implementation of measures to prevent injury by their ballet teachers and ballet masters based on 21 items using a 5-point Likert scale. Causes were analyzed per-injury as well as per-dancer.

Results: 188 ballet ensembles and 51 dance organizations were contacted, from which 192 ballet dancers (mean age 27 ±7.8 yrs, 83% females) responded. 119 dancers (62%) reported 203 acute and 164 (85%) reported 469 overuse injuries. Fatigue was the most frequently perceived cause for acute injuries in the per-injury (n=89, 43.8%) and per-dancer analysis (n=63, 32.8%). For overuse injuries, pressure from the teacher/master was most frequently perceived as cause in the per-injury analysis (n=240, 51.2%), specifically in pre-/professional dancers (n=233, 61.3%). In the per-dancer analysis, fatigue/overtraining scored highest for overuse injuries (n=107; 55.7%). Other causes were previous/repetitive injuries (acute-per-injury 26.1%, acute-per-dancer 22.4%; overuse-per-injury 46.3%, overuse-per-dancer 53.1%) or erroneous dance technique (acute-per-injury 24.6%, acute-per-dancer 21.9%; overuse-per-injury 47.8%, overuse-per-dancer 45.3%). With regard to perceived level of implementation of injury preventive measures by ballet teachers/masters to prevent musculoskeletal injuries, 2 items received high ratings, 12 moderate ratings and 6 low ratings.

Conclusions: Fatigue and pressure accounted for the majority of perceived causes for injuries. Perceived support by ballet teachers/masters regarding injury prevention was moderate to low. Future research should focus on the awareness, attitudes, and the important role of ballet teachers/masters for injury prevention in dancers.

芭蕾舞演员对其受伤原因的看法以及芭蕾舞教师和大师对受伤预防措施的实施情况。
目标芭蕾舞演员受伤的风险很高。我们旨在深入了解芭蕾舞演员急性和过度运动损伤的原因,以及芭蕾舞教师/大师在舞者心目中预防损伤的实施水平:方法:以 "适合舞蹈 "问卷和文献为基础,进行了一项国际横断面在线调查。成年业余、职业前和职业芭蕾舞者报告了他们认为在过去两年中受伤的原因。每次受伤可回答多个问题。此外,舞蹈演员还根据 21 个项目,采用 5 点李克特量表对其芭蕾舞教师和芭蕾舞大师实施预防受伤措施的水平进行了评分。结果显示,188 个芭蕾舞团和 53 个芭蕾舞演员的伤病率为 0.5%:我们联系了 188 个芭蕾舞团和 51 个舞蹈机构,其中有 192 名芭蕾舞演员(平均年龄为 27 ± 7.8 岁,83% 为女性)做出了回应。119 名舞者(62%)报告了 203 次急性损伤,164 名舞者(85%)报告了 469 次过度运动损伤。在每次受伤(89 人,43.8%)和每个舞者(63 人,32.8%)的分析中,疲劳是最常见的急性损伤原因。对于过度劳损,在每次受伤的分析中,来自老师/师傅的压力是最常见的原因(人数=240,51.2%),特别是在预科/专业舞者中(人数=233,61.3%)。在对每个舞者的分析中,疲劳/过度训练在过度运动损伤中得分最高(人数=107;55.7%)。其他原因是以前/重复受伤(急性每次受伤 26.1%,急性每次舞者 22.4%;过度使用每次受伤 46.3%,过度使用每次舞者 53.1%)或错误的舞蹈技巧(急性每次受伤 24.6%,急性每次舞者 21.9%;过度使用每次受伤 47.8%,过度使用每次舞者 45.3%)。关于芭蕾舞教师/领舞为预防肌肉骨骼损伤而采取的预防损伤措施的认知水平,2 个项目获得了高分,12 个项目获得了中分,6 个项目获得了低分:结论:疲劳和压力是导致受伤的主要原因。结论:疲劳和压力是导致受伤的主要原因,芭蕾舞教师/校长对预防受伤的支持度为中低。今后的研究应重点关注芭蕾舞教师/校长对预防舞蹈演员受伤的认识、态度和重要作用。
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来源期刊
CiteScore
1.60
自引率
22.20%
发文量
28
审稿时长
>12 weeks
期刊介绍: Medical Problems of Performing Artists is the first clinical medical journal devoted to the etiology, diagnosis, and treatment of medical and psychological disorders related to the performing arts. Original peer-reviewed research papers cover topics including neurologic disorders, musculoskeletal conditions, voice and hearing disorders, anxieties, stress, substance abuse, and other health issues related to actors, dancers, singers, musicians, and other performers.
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