The performance of labor and downward mobility in Steven Soderbergh’s recession trilogy (2009–2012):
The Girlfriend Experience
,
Haywire
, and
Magic Mike
{"title":"The performance of labor and downward mobility in Steven Soderbergh’s recession trilogy (2009–2012):\n The Girlfriend Experience\n ,\n Haywire\n , and\n Magic Mike","authors":"R. C. Tait","doi":"10.1080/17400309.2024.2347166","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Review of Film and Television Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17400309.2024.2347166","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}