Contrarrelatos performativos para hablar en clase sobre la historia racial de España

IF 0.3 4区 艺术学 Q2 Arts and Humanities
Manuel Olmedo Gobante
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引用次数: 0

Abstract

Abstract:

This note on teaching explores counter-storytelling, a practice that gives voice to marginalized communities and confronts the narratives of benevolent meritocracy and color-blind power dynamics that have long shaped the hierarchies, hiring practices, and opportunities for advancement within institutions. I provide an experiential reflection on my use of counter-storytelling to teach early modern Spanish racial history and culture. First, I propose the use of counter-storytelling as a theoretical framework in early modern scholarly research. Second, I advocate for engaged editorial work that strives to rescue forgotten counter-stories from the past, especially in the field of early modern theater and performing arts. Third, I offer concrete teaching strategies that implement counter-storytelling in the classroom, where students learn to challenge common myths and majoritarian narratives about Black Spain, both past and present.

在课堂上讨论西班牙种族历史时的表演性反叙述
摘要:这篇教学笔记探讨了 "反编故事 "的问题。"反编故事 "是一种让边缘化群体发出声音的做法,也是对长期以来形成院校内部等级制度、雇用惯例和晋升机会的 "仁慈的唯才是举 "和 "无视肤色的权力动态 "的一种对抗。我对自己使用反叙事法教授早期现代西班牙种族历史和文化进行了经验性反思。首先,我建议在早期现代学术研究中使用反叙事作为理论框架。其次,我提倡参与编辑工作,努力拯救过去被遗忘的反故事,尤其是在早期现代戏剧和表演艺术领域。第三,我提供了具体的教学策略,在课堂上实施反叙事,让学生学会挑战关于过去和现在的西班牙黑人的常见神话和多数派叙事。
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来源期刊
CiteScore
0.10
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期刊介绍: Published semiannually by the Comediantes, an international group of scholars interested in early modern Hispanic theater, the Bulletin welcomes articles and notes in Spanish and English dealing with sixteenth- and seventeenth-century peninsular and colonial Latin American drama. Submissions are refereed by at least two specialists in the field. In order to expedite a decision.
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