Heart In The Bag, Love In The Sack And Hope Still Alive? The Magical Realism Of Playwright John Cariani. Study On The Metaphor In The Text Almost Maine

Oana Mogoș
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Abstract

In the magical universe of the American playwright John Cariani, the explosion of symbols and metaphors completes the creative process of both the actor and the spectator. The ease with which deep themes of human nature are approached is due to the mastery with which references of the soul are used in the identity of real and mundane objects. The characters carry their love in bags, their heart in sacks and their hope in inches. The magical world where the city of Maine exists but does not exist at the same time, is the world where any human dream or thought or need can become reality. The contemporary language of the text brings the soul closer to its organic understanding. One will focus their attention on the inner and outer structures of the characters, on the human themes approached, on the acting tools necessary for the organic assumption of the performance. Almost Maine, a universe of dreams and hopes, was staged in Romania in six theatrical institutions relevant to the contemporary artistic landscape. The space between real and imaginary, concrete and magical outlines the inner world of John Cariani characters.
心在袋子里,爱在袋子里,希望还在吗?剧作家约翰-卡里阿尼的魔幻现实主义。文本《几乎缅因州》中的隐喻研究
在美国剧作家约翰-卡里亚尼的魔幻世界中,象征和隐喻的爆炸完成了演员和观众的创作过程。该剧之所以能够轻松地切入人性的深刻主题,是因为剧中巧妙地将灵魂的参照物用于现实和世俗物品的身份。剧中人物用袋子装着他们的爱,用麻袋装着他们的心,用英寸装着他们的希望。在这个神奇的世界里,缅因州这座城市既存在又不存在,在这个世界里,人类的任何梦想、想法或需求都可以变成现实。文本的现代语言使灵魂更接近有机的理解。人们会将注意力集中在人物的内在和外在结构上,集中在所探讨的人类主题上,集中在有机承担表演所需的表演工具上。几乎缅因》是一部充满梦想和希望的作品,在罗马尼亚与当代艺术景观相关的六个戏剧机构上演。真实与想象、具体与魔幻之间的空间勾勒出约翰-卡里阿尼角色的内心世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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