The Actor – The Generator Of Living Narrative Structures And Metaphors

C. Curuţiu-Zoicaş
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Abstract

The actor during the process of dramatic creation constantly provokes and elaborates compositions through his own body, voice, thoughts and imagination. He becomes a body in action that expresses and incorporates different typologies/characters, imagines and plays out different situations from countless different perspectives, creates physical and mental actions, forms, represents and signifies, elaborates living narrative structures. The creative process can be diverted by blockages that can arise from multiple causes, but above all from a lack of order in the discourse, of rigour, when the work is based on intuitive and chaotic constructions, or when there is a lack of mastery of the means of scenic expression, theatrical techniques and methods, due to the lack of structure, composition and a concrete language and vocabulary. This work aims to emphasise the importance of knowing the components related to technique, of playing in front of an audience in a controlled, supervised, verified but spontaneous way, of understanding and mastering the various compositional principles, language and specific concepts that describe how actors create and organise space, movement, action, communication, etc. These notions form the vocabulary of stage creation and provide actors with clear tools for working, a system for organising and constructing their own work.
演员--活生生的叙事结构和隐喻的创造者
在戏剧创作过程中,演员通过自己的肢体、声音、思想和想象力,不断激发和阐述创作。他成为一个行动中的躯体,表现和融入不同的类型/角色,从无数不同的角度想象和演绎不同的情境,创造身体和心理动作,形成、表现和象征,阐述活生生的叙事结构。创作过程可能因多种原因而受阻,但最重要的是,当作品基于直觉和混乱的结构,或由于缺乏结构、构图和具体的语言和词汇,而对场景表达方式、戏剧技巧和方法缺乏掌握时,就会导致话语缺乏秩序和严谨性。本作品旨在强调了解与技巧相关的组成部分的重要性,强调在观众面前以一种有控制、有监督、有验证但又自发的方式进行表演的重要性,强调理解和掌握描述演员如何创造和组织空间、动作、行动、交流等的各种构成原则、语言和具体概念的重要性。这些概念构成了舞台创作的语汇,为演员提供了明确的工作工具、组织和构建自己作品的系统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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