The metaphor of kitsch in Caragiale's work. A Stormy Night & Company at "Tudor Vianu" Theatre Giurgiu

Cristi Avram
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Abstract

Kitsch, this aesthetic category developed in the second half of the 20th century, was one of Caragiale's points of interest, describing through it the shabby and ambitious world of a state that wanted at all costs to align itself with its Western European models. Surprised in various forms, kitsch can be found in the substratum of Caragiale's literature, underlined scenically by the performance of A Stormy Night & Company at the ”Tudor Vianu” Theatre in Giurgiu, which serves as an argument. Moreover, kitsch can become an epithet attributed to man, easily found in the theatre proposed for analysis.
卡拉盖莱作品中的媚俗隐喻。图多尔-维亚努 "久尔久剧院的《风雨之夜与同伴》剧照
媚俗是 20 世纪下半叶发展起来的美学范畴,是卡拉盖莱的兴趣点之一,他通过媚俗描述了一个不惜一切代价向西欧模式看齐的国家的寒酸和野心勃勃的世界。卡拉盖莱文学作品中的媚俗以各种形式出现,在久尔久 "都铎-维亚努 "剧院上演的《风雨之夜与公司》就是一个很好的例子。此外,"媚俗 "可以成为人类的代名词,很容易在建议分析的剧院中找到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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