Symbolism of Sacred Art in Water Conduits

Sandhya Khanal
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Abstract

Nepal is a country with abundance of traditional art, architecture and culture. Almost every monument comprises faith, belief, devotion and sacredness which are initiated to be expressed through symbolic representation. Historicity of water conduit of Kathmandu valley can be traced back to early Cristian Era. They were installed to fulfill basic need of water. Flowing water is compared to goddess Ganga. Thus, every water conduit is equated to goddess Ganga with depiction of a crocodile, her vehicle. Cent percent water conduits of the valley consists of sculptural art associated to Hindu or Buddhist deities and a few with architectural monuments. It also comprises sculptural art of several creatures as; serpent, fish, frog, chameleon, mongoose. These deities, monuments and creatures are found to be a symbolic expression of theme associated with religious belief and faith. In this context, finding out the theme of an art expressed in a water conduit, chief feature of sacred sculptural art of water conduits and symbolic representation of sculptural art of water conduits of Kathmandu valley have been focused as an objective of this research. This qualitative research is based upon historical fact. Thus, the facts are collected from historical monuments through survey, interview, collection of photographs and are analyzed in a descriptive way. Related literary sources have been consulted as a secondary source. From several references, it is to be considered that water conduits of the valley have been basically set up for social and religious utility with installation of several deities according to their faith. Art of each conduit as well as image portrays specific features belong to related historical age. Besides this, each sculptural art depicted on the conduit conveys symbolism of goddess Ganga and several pilgrimages composed within a precise pious abode.
导水管中神圣艺术的象征意义
尼泊尔是一个拥有丰富的传统艺术、建筑和文化的国家。几乎每一个纪念碑都包含着信仰、信念、奉献和神圣,这些都是通过象征性的表现形式来表达的。加德满都谷地水渠的历史可以追溯到公元早期。安装水渠是为了满足人们对水的基本需求。流水被比作甘加女神。因此,每条水渠都与甘加女神等同,并描绘了她的座驾鳄鱼。山谷中百分之百的水渠都有与印度教或佛教神灵相关的雕塑艺术,少数还有建筑纪念碑。此外,还有蛇、鱼、青蛙、变色龙和獴等动物的雕塑艺术。这些神灵、纪念碑和生物被认为是与宗教信仰有关的主题的象征性表达。在这种情况下,找出水渠艺术所表达的主题、水渠神圣雕塑艺术的主要特征以及加德满都谷地水渠雕塑艺术的象征性表现形式就成了本研究的重点目标。这项定性研究以历史事实为基础。因此,研究人员通过调查、访谈、收集照片等方式从历史遗迹中收集事实,并进行描述性分析。作为第二手资料,还参考了相关的文学资料。从一些参考文献中可以看出,山谷中的水渠基本上是为了社会和宗教目的而修建的,并根据其信仰设置了一些神像。每条水渠的艺术和图像都描绘了相关历史时期的具体特征。除此以外,导水管上的每件雕塑艺术品都传达了恒河女神的象征意义,以及在一个精确的虔诚居所内组成的几条朝圣之路。
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