Somnambulistic (A Wreath of Sonnets by M.A. Voloshin «Lunaria»)

Yury Linnik
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Abstract

Shortly before his death, the outstanding stephanist and stephanologist from Petrozavodsk, Yuri Vladimirovich Linnik, sent me, as the Chairman of the International Scientific and Creative Seminar School of the Sonnet, two of his poetological essays for publication in the next issue of the almanac «Wreath of Sonnetologists and Sonnetists». The received grant makes it possible to publish both the essays themselves and the comments adequate to them. Both of them are devoted to the pioneering experiments of Maximilian Voloshin, the author of two wreaths –«Corona Astralis», 1909, and «Lunaria», 1913, in which a new unheard-of genre-strophic form was first tested in relation to the philosophy of cosmism. This issue, in resonance with the predilection for stephanistics, most of all occupied Linnik himself. Linnik's metapoetic interpretation of two masterpieces of his predecessor will be of undoubted interest both for researchers of sonnet wreaths and for poets who cultivate them in their work. This time we bring to the attention of readers the second essay «Somnambulistic». The first one, we hope, will be published by our Kazakh colleagues.
Somnambulistic (A Wreath of Sonnets by M.A. Voloshin "Lunaria") Somnambulistic (A Wreath of Sonnets by M.A. Voloshin "Lunaria")
彼得罗扎沃茨克杰出的十四行诗家和十四行诗学家尤里-弗拉基米罗维奇-林尼克在逝世前不久以国际十四行诗科学和创作研讨学校主席的身份给我寄来了他的两篇诗学论文,希望在下一期年鉴《十四行诗学家和十四行诗家花环》中发表。由于获得了资助,论文本身和相关评论都得以发表。这两篇文章都是关于马克西米利安-沃洛欣(Maximilian Voloshin)的开创性实验的,他创作了两篇花环--1909 年的《日冕》和 1913 年的《月光》,在这两篇花环中,一种前所未闻的新体裁--诗体形式首次与宇宙哲学联系起来进行了试验。林奈克本人对这一问题最为关注,这与他对阶梯学的偏爱不谋而合。林尼克对其前辈两部杰作的元诗学阐释无疑会引起十四行诗花环研究者和在作品中使用花环的诗人的兴趣。这一次,我们提请读者注意第二篇文章 "梦游"。我们希望我们的哈萨克同事能够出版第一篇文章。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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