Transforming Cultural Memory: Inglorius Basterds (2009)

IF 0.1 4区艺术学 N/A FILM, RADIO, TELEVISION

FILM CRITICISM Pub Date : 2024-04-04 DOI:10.3998/fc.5696

Baran Tekay

引用次数: 0

Abstract

Inglourious Basterds (2009) stands out as an example to the unusual storytelling techniques which have been used by Quentin Tarantino in recent years. It can be classified as Historiographic Metafiction with a postmodern perspective. The film's narrative bends the historical narratives and social traumas ingrained in cultural memories. This study has shown that Tarantino's films are not just a pastiche where the director collaged the concepts, events, and motifs selected from the cinematic history. Instead, Tarantino's films challenge audience's cultural memory, knowledge of history, and ways of seeing them. I think they are metafictions that first reveal the conventional methods of remembering before developing an alternative to these kinds of narratives. In this metafiction, memory is more than just a burden of the past, but rather a tool used to reshape the present.

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改变文化记忆：英格罗勒斯-巴斯特斯》（2009 年）

Inglourious Basterds》（2009 年）是昆汀-塔伦蒂诺近年来采用不同寻常的叙事手法的一个范例。该片可归类为具有后现代视角的历史元小说。影片的叙事弯曲了历史叙事和文化记忆中根深蒂固的社会创伤。本研究表明，塔伦蒂诺的电影不仅仅是导演从电影史中选取概念、事件和主题进行拼贴的模仿之作。相反，塔伦蒂诺的电影挑战了观众的文化记忆、历史知识和观看方式。我认为它们是元虚构，首先揭示了传统的记忆方法，然后才发展出一种替代这类叙事的方法。在这种元虚构中，记忆不仅仅是过去的负担，而是用来重塑现在的工具。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.

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