“Why shouldn’t I Be Wanted, Even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Death

IF 0.2 3区 文学 0 LITERATURE
Tatiana Konrad
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引用次数: 0

Abstract

This article focuses on two postcolonial novels, Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Death, and argues that through the novels’ explorations of sex, both narratives reconst...
"为什么我不能被需要,甚至被爱?英德拉-辛哈的《动物之民》和恩尼迪-奥科拉福尔的《谁害怕死亡》中的优生学、生殖和后殖民主义
本文重点论述了两部后殖民主义小说,即英德拉-辛哈的《动物的人们》和恩尼迪-奥科拉福尔的《谁害怕死亡》,并认为通过小说对性的探索,这两部小说的叙事都重建了......
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
56
期刊介绍: Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.
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