Social Choreography as a Cultural Commoning Practice: Becoming Part of Urban Transformation in Une danse ancienne

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2024-04-09 DOI:10.3390/arts13020070
Johanna Hilari, Julia Wehren
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引用次数: 0

Abstract

This article examines social choreography as a cultural commoning practice that is embedded within a relational structure between different institutions, the people involved, and specific socio-cultural contexts. The artistic research project Une danse ancienne by French choreographer Rémy Héritier and their team is presented as a case study of this practice. This collaborative choreography is based on a dance performance and social gathering that is reactivated every year by the same dancer in the same peri-urban site in a metropolitan area of Lausanne, Switzerland. Une danse ancienne holds strong relationships to temporalities, to the changing urban space, and to communal processes of documentation. Its relational choreographic structure and sharing practices are analyzed against the concepts of ‘expanded choreography’ and ‘cultural commoning’. This article, therefore, discusses social choreography as a cultural commoning practice that involves interactions with different social groups and institutions and practices of sharing and communal documentation. This article shows how, as social choreography, Une danse ancienne reflects upon urban transformation through cultural commoning practices.
作为文化共享实践的社会编舞:成为 Une danse ancienne 中城市变革的一部分
本文将社会编舞作为一种文化共通性实践进行研究,这种实践包含在不同机构、相关人员和特定社会文化背景之间的关系结构中。法国编舞家雷米-赫里蒂埃(Rémy Héritier)及其团队的艺术研究项目 "古老的舞蹈"(Une danse ancienne)是这一实践的案例研究。这个合作编舞项目以舞蹈表演和社交聚会为基础,每年由同一位舞者在瑞士洛桑大都会区的同一个近郊地点重新启动。Une danse ancienne "与时间性、不断变化的城市空间以及社区记录过程有着密切的关系。本文根据 "扩展编舞 "和 "文化共通性 "的概念,对其关系编舞结构和共享实践进行了分析。因此,本文将社会编舞作为一种文化共通性实践进行讨论,它涉及与不同社会群体和机构的互动以及共享和公共记录实践。本文展示了《古代舞蹈》作为社会编舞如何通过文化共通性实践反映城市转型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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