Az apostol lappangása a 19. században

István Margócsy
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Abstract

The Apostle is the most elusive work of Petőfi and its reception is just as telling as the work itself. —The homogenous consensus on Petőfi’s poetry was challenged by The Apostle as it is significantly different from the rest of the oeuvre both in terms of content and poetics. That is why this work was underrated or simply was not mentioned in the early reception; later it was merely interpreted as an ideological and poetical statement without taking into consideration the poetic inventions of the text. Moreover, the whole text was published 25 years aŠfter it had been written, therefore it could not be integrated into the image of Petőfi. —This paper focuses on the presence of the text in the hidden canon of the 19th century, emphasizing that the influential folk-national style could not have come into existence without recognising The Apostle: the text (could have) had the potential of an alternative canonical development because of its irregularities and the obvious ignorance of the categories ’folk’ and ’national’.
使徒在 19 世纪的潜伏期
使徒行者》是裴多菲最难以捉摸的作品,对它的评价与作品本身一样具有说服力。裴多菲诗歌的同质化共识受到了《使徒行者》的挑战,因为这部作品在内容和诗学方面都与裴多菲的其他作品大相径庭。正因如此,这部作品在早期的接受过程中被低估或干脆不被提及;后来,它仅仅被解释为一种意识形态和诗学声明,而没有考虑到文本中的诗学发明。此外,全文在写作 25 年后才出版,因此无法融入裴多菲的形象。本文重点论述了该文本在 19 世纪隐藏的正典中的存在,强调如果不承认《使徒行者》,就不可能出现具有影响力的民间-民族风格:由于其不规则性以及对 "民间 "和 "民族 "类别的明显忽视,该文本(可能)具有另一种正典发展的潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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