Lucian of Samosata's Imaginative Divine and Human Landscapes

Eleni Bozia
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Abstract

abstract:This article presents Lucian's theocentric works through the lens of fictional narratology and sociopragmatics and argues that he builds imaginary worlds that feature delinquent gods, regretful and spiteful corpses that contemplate life, and lands inhabited by lamp-shaped beings to explore humanity's exploration of life and religious beliefs. More specifically, The Parliament of the Gods, Zeus Catechized, Zeus Rants, On Sacrifices, Dialogues of the Gods, Menippus, Icaromenippus, and the True Story are closely studied to argue that Lucian conceptualizes the quest into life's unknowns by engineering imaginary worlds, estranging the normal, and questioning ground truths about life. Ultimately, he actualizes literary fiction to explain theology and philosophical inquiries and their implications for everyday people.
萨莫萨塔的卢西安想象中的神人景观
摘要:本文通过虚构叙事学和社会语用学的视角介绍了卢西安以神为中心的作品,认为他构建了以犯错的神、思考生命的悔恨和唾弃的尸体以及灯形生物居住的土地为特征的想象世界,以探讨人类对生命和宗教信仰的探索。具体而言,通过对《众神的议会》、《宙斯的教诲》、《宙斯的咆哮》、《论献祭》、《众神的对话》、《米尼普斯》、《伊卡诺米尼普斯》和《真实的故事》的仔细研究,我们可以发现卢西安通过设计想象的世界、疏远正常的世界和质疑生命的基本真理,将对生命未知的探索概念化。最终,他通过文学虚构来解释神学和哲学探索及其对日常生活的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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